Writing Creative Writing by Rishma Dunlop

Author:Rishma Dunlop
Language: eng
Format: epub
Publisher: Dundurn
Published: 2018-04-11T04:00:00+00:00

* * *

* See the various critics cited in this discussion.

** These schemes are, of course, occasionally metrical: the sonnet is listed as one of the procedures in the Oulipo Compendium.

*** Examples of Oulipian sonnet experiments include Raymond Queneau’s A Hundred ­Thousand Billion Poems and Roubaud’s own debut collection of poetry, E. See the discussion in Mathews and Brotchie.

**** For key standard accounts of the relationship between printing and fixity, see the writings of Elizabeth L. Eisenstein and Adrian Johns.

***** On the Renaissance practice of coterie publication, see, for example, Harold Love and Arthur F. Marotti (55–80); Arthur F. Marotti; and Wendy Wall.

****** The best ongoing work on the Devonshire Manuscript, including a facsimile and a thorough bibliography of its critical context, is to be found in A Social Edition of the Devonshire MS (BL Add 17,492).

******* Transcription and modernization mine, based on the facsimile provided in A Social Edition of the Devonshire MS.

******** Shrewdness: shrewish behaviour.

******** Perde: by God.

******** On the social valences of the manuscript, see the article by Elizabeth Heale.

******** On the issue of authorial attribution, see David Carlson’s “The Henrician Courtier Writing in Manuscript and Print (Wyatt, Surrey, Bryan, and Others).” On the poem’s appearance in other manuscripts, see A Social Edition of the Devonshire MS.

******** I employ the folio number here, as the page numbering throughout the section is incorrect.

******** Daniel’s treatise, however, addresses the sonnet briefly on F7r-F8v.

******** On poem-making as a kind of artisanal and material knowledge, see especially works by Rayna Kalas and Pamela H. Smith.

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